| Most
people, when thinking about live Reggae or
even live Dub, would visualize a band on
stage performing a concert. And fair enough,
this is often the case.
But not necessarily, as Mad Professor
proofs in this great video report from his
performance on the UK based Glad Festival in
2006. And rather than a band, he takes his
Ariwa studio on stage! Together with Karl
Melody and Roots Dawta Aisha, he gives the
public some heavyweight DUB and
Consciousness as his hands move over the
controls like a mad professor.
Almost thirty minutes of pure niceness
for the ear, and for the eye. This concert
has been recorded by students from the
Southampton Institute for Media, who
graciously uploaded the material to the
Internet so that we could have an almost as
good of a time as they obviously did
recording this great performance. They used
several camera's, we get many close-up's of
the mixing board and the several vocalists
as well as other interesting shots and
angles.
Part one starts with Karl Melody,
introducing himself and his partner Joe
Ariwa with a heavy London accent and
suggesting to the public that they too would
introduce themselves to their neighbor. Then
the music starts and Karl Melody performs
some English toast, Ariwa style, while Joe
Ariwa mixes along. Right after that, the Mad
Professor enters stage and starts to mix a
riddim he did with (a recorded) Yabby You,
in Discomix style.
The second part opens up with Mad
Professor introducing singer Aisha, who has
recorded several albums for Ariwa. She
starts singing "Give it to the
Creator", with the well-known vocal
hook used by ambient producer "the
Orb". What follows is a vocal
duet, wherein Aisha and a recorded U Roy
voice over some heavy duty mixing by the Mad
Professor.
In the third and -unfortunately- last
part, the music goes deeper while Aisha's
goes wider up an down, showing what an
incredibly good singer she is. Singing about
Jah protection against the duppies and other
evil forces, with shots of the audience that
feels the vibe increasingly. The sound drops
out for a second, by the way. And there's a
nasty scratch, too.
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