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COLUMN: 2 P OR NOT 2 P
Coincidence or not, I don't know. But fact is, that I have been confronted with several independent issues of bootlegging, piracy and opinions about the use P2P software in a very short time.  
There are several sides when it comes to P2P. 

Just recently, I heard on the radio how figures show that the biggest downloaders are also the biggest buyers of music. I heard this from the mouth of a well known saxophone player called Candy Dulfer, she played with Prince and a whole heap of artists and she's quite famous in the country where I live.

I also know, that my music is shared over these networks. Officially, this is just as "illegal" as putting music of let's say Madonna in your share map. I never wrote anywhere that it's okay to do so, and I have the copyright of my music.

But now, watch this: years ago I wrote to the Dutch "copyright police organization" and asked them if it was beneficial to me to become a member of their organization. For they claimed to cash royalties for artists. They told me, no don't join us, because we only cash and we don't give that cash to the artists. 

So, people who have my music on their P2P share maps might find the copyright police on their doorstep who will come with all kinds of arguments about piracy and you will have to pay them for sharing my music. But I don't get the cash.

Now, apart from the fact that I would never send the police and their brutality to anyone who loves my music enough to want to share it with others, even if I would it wouldn't benefit me at all.

Let me share another thing which happened to me. As anyone can read in articles like "The Ballad of MP3.com", I as an online artist was getting to the position where I could actually love completely of my music by putting it on MP3.com, people download it for free and I get royalties still. 

The best way to do music, I still think. 

But it was the established music industry in the form of VIVENDI UNIVERSAL, who looted MP3.com empty and deprived me of 100% of my income. Even more, because they subsequently wanted me to pay them money for being on MP3.com.

It was this very same music industry that started to weep and wail back in the 1990's about loss of income.

When I write this, I feel the anger again. These hypocrites in their big villa's scream blood and fire because they can't sniff as much cokane as they used to do and oh dear, they might even lose one of their rolls Royce's... 

And who has to pay? 

I as an independent artist.

And you too. 

I read stories about little girls who share a Madonna MP3 and get a visit by ones practicing police brutality to scare the little girls. I would never want my music to be "defended" like that. Fire burn that. Everyone should stop buying these artist's works and only play it when it is a so-called illegal MP3.

That little girl I speak about, shared that music because she loves that music. She doesn't have the money to get all the CD's, so if she did not have P2P she would simply be deprived of music because she has no money.

Now, forward this to Reggae Music. Should it be so, that when people really do not have money, that they should be deprived of listening to Reggae Music which is -a lot of times- about sufferation and so on?

So, that's one side. Clear enough, I would say. But now, there is another side too. 

Because not having money is just one reason why people use P2P. Not wanting to spend it is another reason.

And this is where another experience comes in. 

READ 2 P OR NOT TO 2

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